In this preface, Wordsworth made three important statements which Coleridge found unacceptable. First Wordsworth asserts that the proper diction of poetry consists in the language or the real conversation of men under the influence of natural feelings. Coleridge argues that their language and sentiments do not necessarily arise from their social standing.
Modern critics disagree on whether the work of Wordsworth and Coleridge constituted a major break with the criticism of their predecessors or if it should more properly be characterized as a continuation of the aesthetic theories of seventeenth- and eighteenth-century German and English writers.
Poetry would henceforth be considered an expressive rather than a mimetic art.
Although the analogy of art as a mirror was still used, M. Abrams reports that the early Romantics suggested that the mirror was turned inward to reflect the poet's state of mind, rather than outward to reflect external reality.
Additionally, music replaced painting as the art form considered most like poetry by the Romantics.
Many of the principles associated with early nineteenth-century English criticism were first articulated by late eighteenth-century German Romantics. Schelling, Novalis, and other important figures of the period. The literary reviews of the early nineteenth century, most notably the Edinburgh Review and the Quarterly Review, participated in the formulation of critical theory as well.
However, because such norms and conventions were associated with rationality—the very target of most Romantic poetry—criticism needed to head in a different direction. Cantor, in his study of twentieth-century attacks on Romantic criticism, acknowledges the self-serving quality of the image put forth by Romantic poets who saw themselves as isolated and inspired geniuses possessed of special gifts unavailable to the masses.
They preferred, according to William K. Coleridge's critical theories also differ from Wordsworth's in that they are heavily grounded in theology. Sometimes, particularly in his later writings according to Timothy Corrigan, the theological overwhelms the literary.
Current scholarly work on Romantic literary theory often suggests that many of the Romantic critics were far ahead of their time, anticipating the work of various late twentieth-century thinkers.
One example is provided by Kathleen M.
Along similar lines, Wellek asserts that the work of German Romanticist Tieck anticipates the theories of Sigmund Freud. Patrick Parrinder claims that their poetry and criticism constituted nothing less than a cultural revolution.COLERIDGE in chapter XIV of his BioGraphia Literaria () elucidate and evaluate Wordsworth’s poetry and comment upon wordsworth’s theory of poetic diction.
2. 2. Wordsworth and Coleridge came together early in life. Jul 31, · S. T.
|Coleridge's Criticsm of Poetic Diction - New York Essays||He was to deal with humble and rustic life and so he should also use the language of the rustics, farmers, shepherds who were to be the subjects of his poetry.|
|Introduction||It has been remarked that he was one of the giants; almost single-handedly he revivified English poetry from its threatened death from emotional starvation.|
Coleridge: Criticism on Wordsworth's Theory of Poetic Diction Coleridge claimed credit for these theories and said they were “half the child of his brain”.
But later on, his views underwent the change; he no longer agreed with Wordsworth’s theories and so criticized them. Wordsworth theory of language of poetry and Coleridge’s criticism on it, is of great significance in the history of literary criticism.
Wordsworth revolts against the poetic diction of eighteenth century. Wordsworth theory of language of poetry and Coleridge’s criticism on it, is of great significance in the history of literary criticism. Wordsworth revolts against the poetic diction of eighteenth century. Essays & Papers Coleridge’s criticism of Wordswoth’s theory of poetic diction,language and poetry Essay - Paper Example Coleridge's criticism of Wordswoth's theory of poetic diction,language and poetry Essay.
He agreed with Wordsworth's idea of plain poetic diction but felt his colleague had not given enough thought to selecting from the language of everyday life. He thought Wordsworth's poetry reached a true sublimity when he most forgot his own ideas.